LINA SELANDER
Lina Selander
30 September – 3 October 2021
2 – 6 pm
Exhibition opening and book launch on Wednesday 29 September, from 6 to 9 pm.
Selander’s films and installations can be read as compositions or thought models, where ideas and conditions are explored and weighed. She examines relationships between memory and perception, photography and film, and language and image.
Lina Selander’s solo shows include Kunst Haus Wien; Argos – Centre for Art and Media, Brussels; Iniva, London; Moderna Museet, Stockholm; VOX – Centre de l’image contemporaine, Montréal.
She was the Swedish representative at the Venice Biennale 2015.
A selection of her group shows include: The Kyiv Biennale 2015; Seoul Media City Biennale 2014; Manifesta 2012 in Belgium.
Program
LINA SELANDER
30 September – 3 October
14:00 – 18:00
opening Wednesday 29 September, 6 pm
WHERE:
Labor Neunzehn
Kiefholzstr.19/20
12435 Berlin
Visits to the exhibition are mandatory by registering on: https://bit.ly/2XMaxXm
The usual COVID-19 protective measures apply.
This event is kindly supported by Dezentrale Kulturarbeit Berlin-Treptow and IASPIS, Stockholm.
video works:
Notes for a film on nature, video installation: b/w Lambda print 100 x 70 cm and projected HD-video, 9:51 min, sound, 2016
When the Sun Sets It’s all Red, then it disappears, video and sound installation, 2008
video I: 9 min loop, colour, sound
video II: 90 min loop, colour, silent
Reconstruction, 7:15 min, continuous video and sound composition, dimensions variable, 1999
Free time, 63 min, colour, silent, public commission in Oslo 2020
Anteroom of the Real, 14:28 min, color, silent, 2011
Diagram of Transfer No.1, 8:30 min, color, sound, 2018
Diagram of No. 2, 10:35 min, 16mm transferred to HD-video, color, sound, 2019
cahier n°1
Artist:
Lina Selander is a Swedish innovative moving image artist. Her films and installations can be read as compositions or thought models and often focus on historic or ideological junctions, where a system or physical place collapses and something new begins to emerge. She examines relationships between memory and perception, photography and film, language and image.
curated, designed and published by
AVARIE and Labor Neunzehn.
typeface
Magister by Aldo Novarese, 1966.
cover in letterpress
by Archivio Tipografico, Turin.
This program is generously supported by Dezentrale Kulturarbeit Berlin-Treptow and IASPIS