Lina Selander is a Swedish innovative moving image artist. Her films and installations can be read as compositions or thought models and often focus on historic or ideological junctions, where a system or physical place collapses and something new begins to emerge. She examines relationships between memory and perception, photography and film, language and image.
Lina selander was a guest artist of Kamera Series 2021 from 29 September to 3 October 2021
Pauline Julier artist and filmmaker, explores the links that humans create with their environment through stories, rituals, knowledge and images. Her films and installations are composed of elements of diverse origins (documentary, theoretical, fictional) to restitute the complexity of our relationship to the world.
Pauline Julier was a guest artist of Kamera Series 2021 from 20 to 24 October 2021.
Ion Grigorescu is a central figure of conceptual and performative art in east Europe since the early 70s. He has been working on issues of sexuality, body and politics from both a communistic and capitalist point of view, based on historical changes. He is the author of photographic series, drawings, paintings and collages, as well performances recorded on film, which concentrate on ritualized actions around his body and go beyond art, leading into a private and personal life.
Maria Iorio and Raphaël Cuomo are an artist duo based in Geneva and Berlin. Investigating the conditions under which dominant historical narratives are produced and can be challenged, their hybrid cinematic forms manifest unheard voices, disregarded collective experiences, resistant subjectivities. neglected memories are revived and new knowledges come to light, shared through performative archival practice, translation processes and the aesthetical and political dimensions of listening.
Louise Crawford and Stéphan Guéneau are a franco-british duo. Their practice examines how personal and collective history and memory is represented by shifting between the realities they observe (using film, photography and other media) and the archival material they appropriate. This sampling and staging of the past to decode the present exposes at times the hidden processes of production, creating a visual database; factual, fragmentary and non-exhaustive.